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Let the mesmerizing performances of opera take you on a journey you'll never forget.
Let the mesmerizing performances of opera take you on a journey you'll never forget.
The Armenian American soprano, Tatev Baroyan joins the Metropolitan Opera in the 24-25 season for the Met’s premiere of Golijov’s Ainadamar and made her European debut at the Salzburger Landestheater, creating the role of Iolante in a unique combination of Tchaikovsky's Iolante and Nutcracker, crafted into an opera-ballet fantasy.
Born in Yerevan, Armenia, soprano Tatev Baroyan began her musical journey at Yerevan’s Tchaikovsky Specialized Music School and furthered vocal studies at the Komitas State Conservatory. After emigrating to the USA settling in Sarasota, Florida, Tatev joined Sarasota Opera's Apprenticeship program and then Will Crutchfield’s Teatro Nuovo's Studio Artist program in New York for which she prepared and sang various roles including Alaide in Bellini’s La straniera, Anna in Rossini’s Maometo II as well as the soprano part in Rossini’s Stabat Mater. Tatev joined the New York City Opera and to date has performed with the company in productions of La Traviata, La Boheme, Barbiere di Siviglia and for the world premiere of Ricky Ian Gordon’s The Garden of the Finzi Contini. She has appeared as well in various concerts including a celebration commemorating the centennial of Giacomo Puccini’s death in which she sang excerpts from the composer’s La rondine, Turandot and Suor Angelica. She will debut with the Buffalo Symphony at ArtPark in Saratoga, NY in this same program in July 2024 Throughout the year Tatev performs in solo and joint recitals and concerts in the USA and in Armenia.
Baroyan's talent has been acknowledged through various competitions and awards. During the past season she received the second prize in the Southeast Region of the Metropolitan Opera Laffont Competition, the first prize in the Florida District competitions, the second prize in the Vero Beach Rising Stars Competition, the second prize in the Opera at Florham Competition, the Metropolitan Opera National Council South Carolina District, Georgia District, the Premiere Opera Foundation International Vocal Competition, and the Gerda Lissner Vocal Competition and has attended master classes offered by sopranos Erin Morley, Maria Gulegina, and Carol Vaness.
"Soprano Tatev Baroyan delivered a heart-wrenching, devotional rapture of “Senza Mamma” from Suor Angelica. Baroyan’s voice, filled with sorrow and longing, drew the audience into Angelica’s tragic world. Her emotional depth and vocal control set a poignant tone for the night."
"Happiness prevails when Papageno meets his better half in Papagena, an adorable Tatev Baroyan. They both manage to preen and cloy with aplomb and steal every scene."
"...The rejoicing, warm quality of her voice worked well with the venue as her series of calls reverberated with a lovely ease."
"... her brisk, excited phrases lifted her from the tumult of the middle section as she worked up to a soaring conclusion."
Rossini's Stabat Mater performed with Teatro Nuovo
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In this section of Puccini’s opera La Rondine, the poet Prunier sits down at the piano and plays a song about a girl dreaming of a marriage proposal from a king. He can’t think of the ending, but Magda comes up with a suitable conclusion for it.
Willie Doonan
Libretto by Valentina Dotsenko
Я Cела B Поезд (I Took A Train)
Act 3, Scene 2
Katya’s small apartment, sparsely furnished. Alerted that her arrest by the NKVD is imminent, she waits with a small suitcase. She reacts to a train whistle.
"Morgen!" is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
A trailer of the Salzburg Landestheater production of Iolanta and the Nutcracker.
Performance from the finals of the International Black Sea Festival – „Batumian Rhapsody International Opera Competition – Opera’s Golden Voice
Sarasota
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